Mini-blog.
Like all of the Wado Ryu kata the dan grade Niseishi has its Shotokan counterpart; Nijushiho. The name in both styles translates as the rather uninspiring "Twenty Four Moves". Luckily whilst I have previously studies a range of dan grade kata; enpi, kankudai, bassai, jion, jitte, chinte etc I don't remember ever learning Nijushiho, making today's session from Sensei Rick Broughton with me and Alex (a 3rd dan) really enjoyable.
In all honesty there's nothing I can say about this kata that SueC hasn't already said eloquently in her blog, so I'll direct you there for the moment...
http://kickasssuec.blogspot.com/2010/02/niseishi-chinese-dragon-kata.html
Tuesday 19 October 2010
Sunday 10 October 2010
Getting to grips with the Wado-Way
So far settling into Wado has been a disconcerting journey, I'm often lulled into a sense of familiarity only to have the mat pulled from under me when a technique or kata is presented with a small but crucial difference. The focus on pressure-points is particularly unusual for me (although I know some Shotokan schools do teach these to some extent). I am pretty much a beginner when it come to this. Last week I made the mistake of admitting this to Sensei Chand, who then kindly demonstrated a range of attacks on me, leaving me with some attractively coloured bruises and recurring cramp in my left calf for the next three nights!
As kata goes, my part-knowledge is more a hindrance than a help. Some sequences of movements from the basic kata are so ingrained from years of practice that I have really struggled not to revert back to them, especially when moving at speed. For the last two weeks I have been working on the Wado version of Bassai. This is similar enough for me to get through but has higher stances, more disjointed moved, and no crescent kicks. I'm hoping that when I approach kata I remember less well; jion, chinte etc, that I'll be able to adopt the Wado approach more readily.
A bit of a treat for all members of the association was that today's session was led by Sensei Kuniaki Sakagami, VII dan.
I found today particularly useful then as in a 3.5 hour lesson, Sensei Sakagami spent two hours working through the early Pinan katas and demonstrating bunkai which meant I got to see each move in great detail and examine the differences between the Shoto and Wado approaches. The first striking (!) difference in the Pinan kata (other than the fact that Nidan comes before Shodan which I still don't get) is that we must say goodbye to the basic H pattern of the Shotokan Heian version where only the final moves deviate to the 45° angle. Moves 10, 11, 12, 13, 18, 19, 20 and 21 are now at 45°. The very first move; a gedan barai (a low block) is now a Tetsui Hizo Uchi (side fist strike) but other than that and the shorter stances the next 8 moves are the same. At the end of the kata, the shuto uke (knife hand block at head height) becomes a Shuto hizo uchi (knifehand strike to the spleen) with the cross-over very specifically taught with one hand above the other (shown in this photo).
I found today particularly useful then as in a 3.5 hour lesson, Sensei Sakagami spent two hours working through the early Pinan katas and demonstrating bunkai which meant I got to see each move in great detail and examine the differences between the Shoto and Wado approaches. The first striking (!) difference in the Pinan kata (other than the fact that Nidan comes before Shodan which I still don't get) is that we must say goodbye to the basic H pattern of the Shotokan Heian version where only the final moves deviate to the 45° angle. Moves 10, 11, 12, 13, 18, 19, 20 and 21 are now at 45°. The very first move; a gedan barai (a low block) is now a Tetsui Hizo Uchi (side fist strike) but other than that and the shorter stances the next 8 moves are the same. At the end of the kata, the shuto uke (knife hand block at head height) becomes a Shuto hizo uchi (knifehand strike to the spleen) with the cross-over very specifically taught with one hand above the other (shown in this photo).For Pinan Shodan, the differences, other than the loss of the H shape, are also minor. After the initial haiwan uke (square side block), instead of a jun zuki, augmented jab punch (sometimes bunkai'd as an arm lock) and kizami tzuke, Wado has a side-on gyaku tzuki (not sure if it has a name) followed by an age zuki (rising punch).
I'm hopeful that the more I practice the more the "new" way of doing things will embed itself. My stances are too low and wide still, especially my kokutsu dachi (back stance - with a 70:30 weight ratio on the back leg) which in Wado is almost always a neko ashi dachi (cat stance, 90:10). I'm determined that I adopt the Wado way, as I was in front of the junior grades today and I wouldn't want them to copy me, and get it "wrong".
I really enjoyed today, working with the seniors and revisiting basics, and there were a few opportunities for some take-downs and wrist-locks which is always a bit of fun. I'm starting to feel more at home in my bright new gi and scruffy old black belt.
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